We ought to distinguish, however, between Thackeray’s puppets, which are an extension of the human hand that holds the strings, and manufactured dolls and wind-up models, which lead automatic lives. Contemporary popular fiction swarms with robots, mannequins, genetically engineered androids and talking computers, not to mention human beings who behave in programmed and entirely predictable ways.
The gulf between childhood toys and adult reading is bridged by fantasy tales such as Pinocchio, where the puppet comes to life, and Hoffmann’s ‘The Sand-Man’, in which the beautiful Olympia turns out to be a mechanical doll. Forster spoke of round and flat characters, as if they were two types of doll the flat ones could be made lifelike by shaking them vigorously.
Is every fictional character a kind of doll? Thackeray presented his characters as puppets, which he took out of the box at the beginning of the novel, and shut away again at the end.
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